The funniest part of my job at Fox was reading news online that was happening in my office instead of finding out about it when I was at work. In mid-October 2007, two weeks before the looming writer's strike, Fox sent out an emergency message to the agencies for writers to work on the Wolverine script. They had received the second draft from David Benioff, who they had paid $1.2 million to, and needed a significant rewrite because there wasn't much action or enough story. Most of the script was rewritten in about eight days. And that's why there are huge narrative gaps. A lot of that may have been easy to fix, but Fox is now such a poorly run company that directors will complain about interference before their movies are released. Fox's strategy to make big movies on the cheap, to con audiences with marketing, and to sue Warner Bros. over some minor rights issue with Watchmen (which backfired; the rumor is that Warners leaked the Wolverine work print) undermined a major tentpole and franchise. I was estimating a sub $200 million gross for Wolverine until I saw it. It's more likely to do X-Men 1 business -- about $160 million. They spent less on it than they did on X-Men 3, but I don't think this will end up as all that profitable and it has hurt the various spin-offs and sequels that were in development.
There ya have it, folks. I think that explains a lot. I know I never actually posted a review, but the long and short of it is, wait for Netflix; the effects will look cooler on a smaller screen (yikes). I will say that the opening credits sequence is actually kinda kick-ass.